Entry from the Literary Movements Encyclopedia of Science Fiction.
3.5 out of 5
Thursday, May 7, 2009
Queen Of the Martian Mysteries an Appreciation Of Leigh Brackett - Michael Moorcock
A lengthy one, too, and used as the Introduction to the Haffner edition Martian Quest.
4.5 out of 5
http://www.fantasticmetropolis.com/i/brackett/1/
4.5 out of 5
http://www.fantasticmetropolis.com/i/brackett/1/
The Enchantress Of Worlds - Stephen Jones
A lengthy afterword to the Fantasy Masterworks Sea-Kings of Mars, detailing the writer.
4.5 out of 5
4.5 out of 5
Letting My Imagination Go - Leigh Brackett
Written in 1969, used as the introduction to the Fantasy Masterworks Sea-Kings Of Mars.
3.5 out of 5
3.5 out of 5
Eric John Stark - Algis Budrys
The introduction to Baen's 'The Eric John Stark Saga' giving an overview.
4 out of 5
http://www.webscription.net/chapters/0345318277/0345318277.htm
4 out of 5
http://www.webscription.net/chapters/0345318277/0345318277.htm
Leigh Brackett's The Long Tomorrow: A Quest for the Future America - Diane Parkin-Speer
Extrapolation 26 (1985):190-200.
Western Writers Of America Award - Leigh Brackett
1963
Novel: Follow the Free Wind by Leigh Brackett (Doubleday)
3.5 out of 5
Novel: Follow the Free Wind by Leigh Brackett (Doubleday)
3.5 out of 5
Quotations From - Leigh Brackett
Some lines from some of the movies.
4 out of 5
http://www.poemhunter.com/quotations/famous.asp?people=Leigh%20Brackett
4 out of 5
http://www.poemhunter.com/quotations/famous.asp?people=Leigh%20Brackett
Sword Woman - Leigh Brackett
Introduction to the Robert E. Howard collection.
Sword Woman, (May 1977, Robert E. Howard, Zebra Books, 0-89083-261-7, $1.50, 176pp, pb, coll) Cover: Stephen Fabian
Sword Woman, (Dec 1979, Robert E. Howard, Berkley, 0-425-04445-9, $1.95, 169pp, pb, coll) Cover: Ken W. Kelly
Sword Woman, (Oct 1986, Robert E. Howard, Ace, 0-441-79279-0, $2.95, 169pp, pb, coll) Cover: Ken W. Kelly
Sword Woman, (May 1977, Robert E. Howard, Zebra Books, 0-89083-261-7, $1.50, 176pp, pb, coll) Cover: Stephen Fabian
Sword Woman, (Dec 1979, Robert E. Howard, Berkley, 0-425-04445-9, $1.95, 169pp, pb, coll) Cover: Ken W. Kelly
Sword Woman, (Oct 1986, Robert E. Howard, Ace, 0-441-79279-0, $2.95, 169pp, pb, coll) Cover: Ken W. Kelly
Leigh Brackett: Interview - Paul Walker
Speaking of Science Fiction: The Paul Walker Interviews, (1978, Paul Walker, LUNA Publications, 0-930346-01-7, $6.95, 425pp, tp, coll)
Introduction - Edmond Hamilton
One page in the Ace Double of The People of the Talisman and the Secret Of Sinharat.
3 out of 5
3 out of 5
Film Reference - Leigh Brackett
Film centred bibliography, does include details of some non-fiction by and about her.
4 out of 5
http://www.filmreference.com/Writers-and-Production-Artists-Bo-Ce/Brackett-Leigh.html
4 out of 5
http://www.filmreference.com/Writers-and-Production-Artists-Bo-Ce/Brackett-Leigh.html
A Leigh Brackett Bibliography - Robin Smiley
Page 563, No Good From A Corpse, says it is from Firsts: The Book Collector's Magazine.
Useful for knowing what obscure movies and tv she worked on.
5 out of 5
Useful for knowing what obscure movies and tv she worked on.
5 out of 5
Epiphany - Michael Connelly
Afterword to the No Good From A Corpse collection talking about youthful inspiration watching Brackett's Marlowe.
3.5 out of 5
3.5 out of 5
B & B Brackett and Bradbury 1944 - Ray Bradbury
Brief introduction to the hardback collection of all Brackett's crime fiction, No Good From A Corpse, from Dennis McMillan.
3.5 out of 5
3.5 out of 5
Stark Rides Again - Michael Moorcock
The introduction to the Planet Stories edition of The Ginger Star, with some personal reminiscing.
4.5 out of 5
4.5 out of 5
From Stark To Star Wars - George Lucas
The introduction to the Planet Stories edition of The Reavers Of Skaith.
4 out of 5
4 out of 5
Roadmap To the Stars - Ben Bova
The introduction to the Planet Stories edition of The Ginger Star.
4 out of 5
4 out of 5
Who Is Eric John Stark? - F. Paul Wilson
The introduction to the Planet Stories edition of The Hounds Of Skaith.
4 out of 5
4 out of 5
Martian Elegy - Nicola Griffith
The introduction to the Planet Stories edition of The Sword Of Rhiannon.
4 out of 5
4 out of 5
Cordwainer Smith Rediscovery Award - Leigh Brackett
The 2005 recipient, their page also includes a bibliography.
4 out of 5
http://www.cordwainer-smith.com/leighbrackett.htm
4 out of 5
http://www.cordwainer-smith.com/leighbrackett.htm
Haffner Press - Leigh Brackett
Publisher focused on hardback collectible work. In Brackett's case, focusing on the short stories. There are also Hamilton titles to come. Three books so far. I have not seen these.
The page also includes some short biographical and bibliographical information.
http://www.haffnerpress.com/lbql.html#LB-HP
The page also includes some short biographical and bibliographical information.
http://www.haffnerpress.com/lbql.html#LB-HP
Planet Stories - Leigh Brackett
Publisher of several of Brackett's longer planetary romance works.
5 out of 5
http://paizo.com/store/paizo/planetStories
5 out of 5
http://paizo.com/store/paizo/planetStories
Webscription.net - Leigh Brackett
Publisher of a large amount of Brackett (and Hamilton) work electronically. Highly recommended.
5 out of 5
http://www.webscription.net/s-139-leigh-brackett.aspx
5 out of 5
http://www.webscription.net/s-139-leigh-brackett.aspx
Fantastic Fiction - Leigh Brackett
Bibliography of work, including books containing some short stories. Also some cover images.
4 out of 5
http://www.fantasticfiction.co.uk/b/leigh-brackett/
4 out of 5
http://www.fantasticfiction.co.uk/b/leigh-brackett/
Leigh (Douglass) Brackett (1915-1978) - Petri Liukkonen
A brief overview and bibliography focusing on movies and novels.
3.5 out of 5
http://www.kirjasto.sci.fi/brackett.htm
3.5 out of 5
http://www.kirjasto.sci.fi/brackett.htm
Wikipedia - Leigh Brackett
A useful stop, also has links to Wikipedia sections for Eric John Stark http://en.wikipedia.org/wiki/Eric_John_Stark and The Leigh Brackett Solar System http://en.wikipedia.org/wiki/Leigh_Brackett_Solar_System.
Leigh Brackett
From Wikipedia, the free encyclopedia
Leigh Brackett
Born Leigh Douglass Brackett
December 7, 1915
Los Angeles, California, USA
Died March 18, 1978 (aged 62)
Occupation Novelist, screenwriter
Nationality American
Genres Science fiction, crime fiction
Notable work(s) Eric John Stark series
Spouse(s) Edmond Hamilton (m. 1946–1977)
Literature portal
Leigh Douglass Brackett (December 7, 1915 – March 18, 1978) was an American author, particularly of science fiction. She was also a screenwriter, known for her work on famous films such as The Big Sleep (1945), Rio Bravo (1959), The Long Goodbye (1973) and The Empire Strikes Back (1980).Contents [hide]
1 Life
2 Career
2.1 Author
2.2 Screenwriter
2.2.1 The Empire Strikes Back
3 Bibliography
3.1 Short science fiction
3.1.1 1940–1941
3.1.2 1942-1944
3.1.3 1945-1950
3.1.4 1951-1955
3.1.5 After 1955
3.2 Science fiction novels
3.3 Science fiction collections
3.4 Science fiction, as editor
3.5 Screenwriter
3.6 Other genres
4 See also
5 References
6 External links
[edit]
Life
Leigh Brackett was born and grew up in Los Angeles, California. On December 31, 1946, at age 31, she married Edmond Hamilton in San Gabriel, CA, and moved with him to Kinsman, Ohio. She died in 1978.
[edit]
Career
[edit]
Author
Brackett was first published in her mid-twenties. Her first published science fiction story was "Martian Quest", which appeared in the February 1940 issue of Astounding Science Fiction. Her earliest years as a writer (1940-1942) were her most productive in numbers of stories written; however, these works show a writer still mastering her craft. The first of her science fiction stories still attempt to emphasize a quasi-scientific angle, with problems resolved by an appeal to the (usually imaginary) chemical, biological, or physical laws of her invented worlds. As Brackett became more comfortable as an author, this element receded and was replaced by adventure stories with a strong touch of fantasy. Occasional stories have social themes, such as "The Citadel of Lost Ships" (1943), which considers the effects on the native cultures of alien worlds of Earth's expanding trade empire.
Brackett's first novel, No Good from a Corpse, published in 1944, was a hard-boiled mystery novel in the tradition of Raymond Chandler. This led to her first major screenwriting assignment. At the same time, though, Brackett's science fiction stories were becoming more ambitious. Shadow Over Mars (1944) was her first novel-length science fiction story, and though still somewhat rough-edged, marked the beginning of a new style, strongly influenced by the characterization of the 1940s detective story and film noir. Brackett's heroes from this period are tough, two-fisted, semi-criminal, ill-fated adventurers. Shadow's Rick Urquhart (reputedly modelled on Humphrey Bogart's shadier film characters) is a ruthless, selfish space drifter, who just happens to be caught in a web of political intrigue that accidentally places the fate of Mars in his hands.
In 1946, the same year that Brackett married science fiction author Edmond Hamilton, Planet Stories published the novella "Lorelei of the Red Mist". Brackett only finished the first half before turning it over to Planet Stories' other acclaimed author, Ray Bradbury, so that she could leave to work on The Big Sleep. "Lorelei"'s main character is an out-and-out criminal, a thief called Hugh Starke. Though the story was well concluded by Bradbury, Brackett seems to have felt that her ideas in this story were insufficiently addressed, as she returns to them in later stories—particularly "Enchantress of Venus" (1949).
Brackett returned from her break from science-fiction writing, caused by her cinematic endeavors, in 1948. From then on to 1951, she produced a series of science fiction adventure stories that were longer, more ambitious, and better written than her previous work. To this period belong such classic representations of her planetary settings as "The Moon that Vanished" and the novel-length Sea-Kings of Mars (1949), later published as The Sword of Rhiannon, a vivid description of Mars before its oceans evaporated.
With "Queen of the Martian Catacombs" (1949), Brackett found for the first time a character that she cared to return to. Eric John Stark is sometimes compared to Robert E. Howard's Conan, but is in many respects closer to Edgar Rice Burroughs' Tarzan or Rudyard Kipling's Mowgli. Stark, an orphan from Earth, is raised by the semi-sentient aboriginals of Mercury, who are later killed by Earthmen. He is saved from the same fate by a Terran official, who adopts Stark and becomes his mentor. When threatened, however, Eric John Stark frequently reverts to the primitive N'Chaka, the "man without a tribe" that he was on Mercury. Thus, Stark is the archetypical modern man—a beast with a thin veneer of civilization. From 1949 to 1951, Stark (whose name obviously echoes that of the hero in "Lorelei") appeared in three tales, all published in Planet Stories; the aforementioned "Queen", "Enchantress of Venus", and finally "Black Amazon of Mars". With this last story, Brackett's period of writing high adventure ended.
Brackett's stories thereafter adopted a more elegiac tone. They no longer celebrated the conflicts of frontier worlds, but lamented the passing away of civilizations. The stories now concentrated more upon mood than on plot. The reflective, retrospective nature of these stories is indicated in the titles: "The Last Days of Shandakor"; "Shannach — the Last"; "Last Call from Sector 9G".
This last story was published in the very last issue (Summer 1955) of Planet Stories, always Brackett's most reliable market for science fiction. With the disappearance of Planet Stories and, later in 1955, of Startling Stories and Thrilling Wonder Stories, the market for Brackett's brand of story dried up, and the first phase of her career as a science fiction author ended. A few other stories trickled out over the next decade, and old stories were revised and published as novels. A new production of this period was one of Brackett's most critically acclaimed science fiction novels, The Long Tomorrow (1955). This novel describes an agrarian, deeply technophobic society that develops after a nuclear war.
But most of Brackett's writing after 1955 was for the more lucrative film and television markets. In 1963 and 1964, she briefly returned to her old Martian milieu with a pair of stories; "The Road to Sinharat" can be regarded as an affectionate farewell to the world of "Queen of the Martian Catacombs", while the other – with the intentionally ridiculous title of "Purple Priestess of the Mad Moon" – borders on parody.
After another hiatus of nearly a decade, Brackett returned to science fiction in the seventies with the publication of The Ginger Star (1974), The Hounds of Skaith (1974), and The Reavers of Skaith (1976), collected as The Book of Skaith in 1976. This trilogy brought Eric John Stark back for adventures upon the extrasolar planet of Skaith (rather than his old haunts of Mars and Venus).
Most of Brackett's science fiction can be characterized as space opera or planetary romance. Almost all of her planetary romances take place within a common invented universe, the Leigh Brackett Solar System, which contains richly detailed fictional versions of the consensus Mars and Venus of science fiction in the 1930s–1950s. Mars thus appears as a marginally habitable desert world, populated by ancient, decadent, and mostly humanoid races; Venus as a primitive, wet jungle planet, occupied by vigorous, primitive tribes and reptilian monsters. Brackett's Skaith combines elements of Brackett's other worlds with fantasy elements.
The fact that the settings of Brackett's stories range from a rocket-crowded interplanetary space to the superstitious backwaters of primitive or decadent planets allows her a great deal of scope for variation in style and subject matter. In a single story, Brackett can veer from space opera to hard-boiled detective fiction to Western to the borders of Celtic-inspired fantasy. Brackett cannot, therefore, be easily classified as a Sword and planet science fantasy writer; though swords and spears may show up in the most primitive regions of her planets, guns, blasters and electric-shock generators are more common weapons.
Though the influence of Edgar Rice Burroughs is apparent in Brackett's Mars stories, the differences between their versions of Mars are great. Brackett's Mars is set firmly in a world of interplanetary commerce and competition, and one of the most prominent themes of Brackett's stories is the clash of planetary civilizations; the stories both illustrate and criticize the effects of colonialism on civilizations which are either older or younger than those of the colonizers, and thus they have relevance to this day. Burroughs' heroes set out to remake entire worlds according to their own codes; Brackett's heroes (often anti-heroes) are at the mercy of trends and movements far bigger than they are.[1]
[edit]
Screenwriter
Shortly after Brackett broke into science fiction writing, she also wrote her first screenplays. Hollywood director Howard Hawks was so impressed by her novel No Good from a Corpse that he had his secretary call in "this guy Brackett" to help William Faulkner write the script for The Big Sleep (1946).[2] The film, starring Humphrey Bogart and written by Brackett, William Faulkner, and Jules Furthman, is considered one of the best movies ever made in the genre. However, after her marriage, Brackett took a long break from screenwriting.
When she returned to screenwriting in the mid-1950s, she wrote for both TV and movies. Howard Hawks hired her to write or co-write several John Wayne pictures, including Rio Bravo (1959), Hatari! (1962), El Dorado (1966) and Rio Lobo (1970). Because of her background with The Big Sleep, Robert Altman hired her to write his deconstruction of Raymond Chandler's stories, The Long Goodbye (1973).
[edit]
The Empire Strikes Back
Brackett worked on the screenplay for The Empire Strikes Back. The movie won the Hugo Award in 1981. This script was a departure for Brackett, since until then, all of her science fiction had been in the form of novels and short stories.
The exact role which Brackett played in writing the script for Empire is the subject of some dispute. What is agreed on by all is that George Lucas asked Brackett to write the screenplay based on his story outline. It is also known that Brackett wrote a finished first draft which was delivered to Lucas shortly before Brackett's death from cancer on March 18, 1978. The screenplay was revised for filming by Lucas and Lawrence Kasdan, and both Brackett and Kasdan (though not Lucas) were given credit for the final script.
Many reviewers believed that they could detect traces of Brackett's influence in both the dialogue and the treatment of the space opera genre in Empire.[3] However, Laurent Bouzereau, in his book Star Wars: The Annotated Screenplays, states that Lucas disliked the direction of Brackett's screenplay and discarded it. He then produced two screenplays before turning the results over to Kasdan, who did not work directly with Brackett's script at all. By this scenario, Lucas' assignment of credit to Brackett was a mere courtesy or mark of respect for the work she had done during her illness.[4] Support for this view comes from Stephen Haffner, owner of the press that printed Martian Quest: The Early Brackett, who has read Brackett's script, and claims that—outside Lucas' storyline—nothing of Brackett's personal contributions survives in the finished movie.
Brackett's screenplay has never been published. According to Haffner, it can be read at the library of the Eastern New Mexico University in Portales, New Mexico, but may not be copied or borrowed off-site.
[edit]
Bibliography
[edit]
Short science fiction
[edit]
1940–1941
Martian Quest (Astounding Science Fiction February 1940)
The Treasure of Ptakuth (Astounding April 1940)
The Stellar Legion (Planet Stories Winter 1940)
The Tapestry Gate (Strange Stories August 1940)
The Demons of Darkside (Startling Stories January 1941)
Water Pirate (Super Science Stories January 1941)
Interplanetary Reporter (Startling Stories May 1941)
The Dragon-Queen of Jupiter (Planet Stories Summer 1941) also published as The Dragon-Queen of Venus
Lord of the Earthquake (novelette; Science Fiction (magazine) June 1941)
No Man's Land in Space (novelette; Amazing Stories July 1941)
A World Is Born (Comet Stories July 1941)
Retreat to the Stars (Astonishing Stories November 1941)
[edit]
1942-1944
Child of the Green Light (Super Science Stories February 1942)
The Sorcerer of Rhiannon (novelette; Astounding February 1942)
Child of the Sun (novelette; Planet Stories Spring 1942)
Out of the Sea (novelette; Astonishing Stories June 1942)
Cube from Space (Super Science Stories August 1942)
Outpost on Io (Planet Stories Winter 1942)
The Halfling (novelette; Astonishing Stories February 1943)
The Citadel of Lost Ships (Planet Stories March 1943)
The Blue Behemoth (Planet Stories May 1943)
Thralls of the Endless Night (Planet Stories Fall 1943)
The Jewel of Bas (novelette; Planet Stories Spring 1944)
The Veil of Astellar (novelette; Thrilling Wonder Stories Spring 1944)
Terror Out of Space (Planet Stories Summer 1944)
Shadow Over Mars (Startling Stories Fall 1944) published in book form as The Nemesis from Terra
[edit]
1945-1950
The Vanishing Venusians (novelette; Planet Stories Spring 1945)
Lorelei of the Red Mist (novella; Planet Stories Summer 1946), with Ray Bradbury
The Moon That Vanished (novelette; Thrilling Wonder Stories October 1948)
The Beast-Jewel of Mars (novelette; Planet Stories Winter 1948)
Quest of the Starhope (Thrilling Wonder Stories April 1949)
Sea-Kings of Mars (Thrilling Wonder Stories June 1949) published in book form as The Sword of Rhiannon
Queen of the Martian Catacombs (Planet Stories Summer 1949) expanded and published in book form as The Secret of Sinharat
Enchantress of Venus (novella; Planet Stories Fall 1949) also published as City of the Lost Ones
The Lake of the Gone Forever (novelette; Thrilling Wonder Stories October 1949)
The Dancing Girl of Ganymede (novelette; Thrilling Wonder Stories February 1950)
The Truants (novelette; Startling Stories July 1950)
The Citadel of Lost Ages (novella; Thrilling Wonder Stories December 1950)
[edit]
1951-1955
Black Amazon of Mars (Planet Stories March 1951) expanded and published in book form as People of the Talisman
The Starmen of Llyrdis (Startling Stories March 1951)
The Woman from Altair (novelette; Startling Stories July 1951)
The Shadows ( Startling Stories February 1952)
The Last Days of Shandakor (novelette; Startling Stories April 1952)
Shannach - The Last (novelette; Planet Stories November 1952)
The Ark of Mars (Planet Stories September 1953) later published as part of the book Alpha Centauri or Die!
Mars Minus Bisha (Planet Stories January 1954)
Runaway (Startling Stories Spring 1954)
Teleportress of Alpha C (Planet Stories Winter 1954/1955) later published as part of the book Alpha Centauri or Die!
The Tweener (The Magazine of Fantasy and Science Fiction February 1955)
Last Call from Sector 9G (Planet Stories Summer 1955)
[edit]
After 1955
The Other People (novelette; Venture Science Fiction Magazine March 1957) - also published as The Queer Ones
All the Colors of the Rainbow (novelette; Venture Science Fiction Magazine November 1957)
The Road to Sinharat (novelette; Amazing Stories May 1963)
Purple Priestess of the Mad Moon (The Magazine of Fantasy and Science Fiction October 1964)
Come Sing the Moons of Moravenn (The Other Side of Tomorrow, 1973)
How Bright the Stars (Flame Tree Planet: An Anthology of Religious Science-Fantasy, 1973)
Mommies and Daddies (Crisis, 1974)
Stark and the Star Kings (2005), with Edmond Hamilton (in the collection of the same name)
[edit]
Science fiction novels
Shadow Over Mars (1951) - first published 1944; published in the U.S. as The Nemesis from Terra (1961)
The Starmen (1952) - also published as The Galactic Breed (1955, abridged), The Starmen of Llyrdis (1976)
The Sword of Rhiannon (1953) - first published as Sea-Kings of Mars (1949)
The Big Jump (1955)
The Long Tomorrow (1955)
Alpha Centauri or Die! (1963) - fixup of The Ark of Mars (1953) and Teleportress of Alpha C (1954)
The Secret of Sinharat and People of the Talisman (1964) - expansions of Queen of the Martian Catacombs (1949) and Black Amazon of Mars (1951), respectively, packaged back-to-back as an Ace Double novel; republished under one title as Eric John Stark, Outlaw of Mars (1982)
Skaith novels
The Ginger Star (1974) - first published as a two-part serial in Worlds of If, February and April 1974
The Hounds of Skaith (1974)
The Reavers of Skaith (1976)
[edit]
Science fiction collections
The Coming of the Terrans (1967)
Includes The Beast-Jewel of Mars, Mars Minus Bisha, The Last Days of Shandakor, Purple Priestess of the Mad Moon, and The Road to Sinharat.
The Halfling and Other Stories (1973)
Includes The Halfling, The Dancing Girl of Ganymede, The Citadel of Lost Ages, All the Colors of the Rainbow, The Shadows, Enchantress of Venus, and The Lake of the Gone Forever.
The Book of Skaith (1976) - omnibus edition of the three Skaith novels
The Best of Leigh Brackett (1977), ed. Edmond Hamilton
Includes The Jewel of Bas, The Vanishing Venusians, The Veil of Astellar, The Moon that Vanished, Enchantress of Venus, The Woman from Altair, The Last Days of Shandakor, Shannach — The Last, The Tweener, and The Queer Ones.
Martian Quest: The Early Brackett (2000) - Haffner Press
Includes all of Brackett's early short stories published up to March 1943.
Stark and the Star Kings (2005), with Edmond Hamilton
Includes Queen of the Martian Catacombs, Enchantress of Venus, Black Amazon of Mars, Stark and the Star Kings (collaboration with Hamilton)
Sea-Kings of Mars and Otherworldly Stories (2005) - Volume 46 in Gollancz's Fantasy Masterworks series
Includes The Sorcerer of Rhiannon, The Jewel of Bas, Terror out of Space, Lorelei of the Red Mist, The Moon that Vanished, Sea-Kings of Mars, Queen of the Martian Catacombs, Enchantress of Venus, Black Amazon of Mars, The Last Days of Shandakor, The Tweener, and The Road to Sinharat
Lorelei of the Red Mist (2007) - Haffner Press
Includes The Blue Behemoth, Thralls of the Endless Night, The Jewel of Bas, The Veil of Astellar, Terror Out of Space, The Vanishing Venusians, Lorelei of the Red Mist, The Moon That Vanished, The Beast-Jewel of Mars, Quest of the Starhope, The Lake of the Gone Forever, and The Dancing Girl of Ganymede
[edit]
Science fiction, as editor
The Best of Planet Stories No. 1 (anthology; 1975)
The Best of Edmond Hamilton (collection; 1977)
[edit]
Screenwriter
The Vampire's Ghost (with John K. Butler), 1945
Crime Doctor's Manhunt (with Eric Taylor), 1946
The Big Sleep (with William Faulkner and Jules Furthman), 1946
Rio Bravo (with Jules Furthman and B.H. McCampbell), 1959
Gold of the Seven Saints (with Leonard Freeman), 1961
Hatari! (with Harry Kurnitz), 1962
Man's Favorite Sport? (uncredited), 1964
El Dorado, 1967
Rio Lobo (with Burton Wohl), 1970
The Long Goodbye, 1973
Star Wars Episode V: The Empire Strikes Back (with Lawrence Kasdan), 1979
[edit]
Other genres
No Good from a Corpse (crime novel; 1944)
Stranger at Home (crime novel; 1946) - ghost-writer for the actor George Sanders
An Eye for an Eye (crime novel; 1957) - adapted for television as Markham (1959-60; CBS)
The Tiger Among Us (crime novel; 1957; UK 1960 as Fear No Evil), filmed as 13 West Street (1962; dir. Philip Leacock)
Follow the Free Wind (western novel; 1963) - received the Spur Award from Western Writers of America
Rio Bravo (western novel; 1959) - novelization based on the screenplay by Jules Furthman and Leigh Brackett
Silent Partner (crime novel; 1969)
[edit]
See also
Eric John Stark
Leigh Brackett Solar System
[edit]
References
^ Valdron, Den. "Colonial Barsoom: Leigh Brackett". ERBzine.
^ "Howard Hawks". Howard Hawks (subject) Richard Schickel (director/writer) Sydney Pollack (narrator). The Men Who Made The Movies. 1973.
^ Hart, Stephen. "Galactic Gasbag". Salon.com.
^ Perry, Robert Michael. "A Certain Point of View". Echo Station. "A review of Star Wars: The Annotated Screenplays written and compiled by Laurent Bouzereau"
[edit]
External links
Leigh Brackett at the Internet Speculative Fiction Database
Leigh Brackett at the Internet Movie Database
Moorcock, Michael (13 June 2002). "Queen of the Martian Mysteries: An Appreciation of Leigh Brackett". Fantastic Metropolis website. Retrieved 2009-06-12.
Liukkonen, Petri; Pesonen, Ari. "Leigh (Douglass) Brackett (1915-1978)". Pegasos. Retrieved 2009-06-12.
Webster, Bud. "Past Masters: Gats, Six-Guns and Blasters". Helix, a speculative fiction quarterly. Retrieved 2009-06-12.
Categories: 1915 births | 1978 deaths | Leigh Brackett | American science fiction writers | American fantasy writers | American mystery writers | Western (genre) writers | American novelists | American screenwriters | People from Los Angeles, California | Women screenwriters | Worldcon Guests of Honor
4.5 out of 5
http://en.wikipedia.org/wiki/Leigh_Brackett
Leigh Brackett
From Wikipedia, the free encyclopedia
Leigh Brackett
Born Leigh Douglass Brackett
December 7, 1915
Los Angeles, California, USA
Died March 18, 1978 (aged 62)
Occupation Novelist, screenwriter
Nationality American
Genres Science fiction, crime fiction
Notable work(s) Eric John Stark series
Spouse(s) Edmond Hamilton (m. 1946–1977)
Literature portal
Leigh Douglass Brackett (December 7, 1915 – March 18, 1978) was an American author, particularly of science fiction. She was also a screenwriter, known for her work on famous films such as The Big Sleep (1945), Rio Bravo (1959), The Long Goodbye (1973) and The Empire Strikes Back (1980).Contents [hide]
1 Life
2 Career
2.1 Author
2.2 Screenwriter
2.2.1 The Empire Strikes Back
3 Bibliography
3.1 Short science fiction
3.1.1 1940–1941
3.1.2 1942-1944
3.1.3 1945-1950
3.1.4 1951-1955
3.1.5 After 1955
3.2 Science fiction novels
3.3 Science fiction collections
3.4 Science fiction, as editor
3.5 Screenwriter
3.6 Other genres
4 See also
5 References
6 External links
[edit]
Life
Leigh Brackett was born and grew up in Los Angeles, California. On December 31, 1946, at age 31, she married Edmond Hamilton in San Gabriel, CA, and moved with him to Kinsman, Ohio. She died in 1978.
[edit]
Career
[edit]
Author
Brackett was first published in her mid-twenties. Her first published science fiction story was "Martian Quest", which appeared in the February 1940 issue of Astounding Science Fiction. Her earliest years as a writer (1940-1942) were her most productive in numbers of stories written; however, these works show a writer still mastering her craft. The first of her science fiction stories still attempt to emphasize a quasi-scientific angle, with problems resolved by an appeal to the (usually imaginary) chemical, biological, or physical laws of her invented worlds. As Brackett became more comfortable as an author, this element receded and was replaced by adventure stories with a strong touch of fantasy. Occasional stories have social themes, such as "The Citadel of Lost Ships" (1943), which considers the effects on the native cultures of alien worlds of Earth's expanding trade empire.
Brackett's first novel, No Good from a Corpse, published in 1944, was a hard-boiled mystery novel in the tradition of Raymond Chandler. This led to her first major screenwriting assignment. At the same time, though, Brackett's science fiction stories were becoming more ambitious. Shadow Over Mars (1944) was her first novel-length science fiction story, and though still somewhat rough-edged, marked the beginning of a new style, strongly influenced by the characterization of the 1940s detective story and film noir. Brackett's heroes from this period are tough, two-fisted, semi-criminal, ill-fated adventurers. Shadow's Rick Urquhart (reputedly modelled on Humphrey Bogart's shadier film characters) is a ruthless, selfish space drifter, who just happens to be caught in a web of political intrigue that accidentally places the fate of Mars in his hands.
In 1946, the same year that Brackett married science fiction author Edmond Hamilton, Planet Stories published the novella "Lorelei of the Red Mist". Brackett only finished the first half before turning it over to Planet Stories' other acclaimed author, Ray Bradbury, so that she could leave to work on The Big Sleep. "Lorelei"'s main character is an out-and-out criminal, a thief called Hugh Starke. Though the story was well concluded by Bradbury, Brackett seems to have felt that her ideas in this story were insufficiently addressed, as she returns to them in later stories—particularly "Enchantress of Venus" (1949).
Brackett returned from her break from science-fiction writing, caused by her cinematic endeavors, in 1948. From then on to 1951, she produced a series of science fiction adventure stories that were longer, more ambitious, and better written than her previous work. To this period belong such classic representations of her planetary settings as "The Moon that Vanished" and the novel-length Sea-Kings of Mars (1949), later published as The Sword of Rhiannon, a vivid description of Mars before its oceans evaporated.
With "Queen of the Martian Catacombs" (1949), Brackett found for the first time a character that she cared to return to. Eric John Stark is sometimes compared to Robert E. Howard's Conan, but is in many respects closer to Edgar Rice Burroughs' Tarzan or Rudyard Kipling's Mowgli. Stark, an orphan from Earth, is raised by the semi-sentient aboriginals of Mercury, who are later killed by Earthmen. He is saved from the same fate by a Terran official, who adopts Stark and becomes his mentor. When threatened, however, Eric John Stark frequently reverts to the primitive N'Chaka, the "man without a tribe" that he was on Mercury. Thus, Stark is the archetypical modern man—a beast with a thin veneer of civilization. From 1949 to 1951, Stark (whose name obviously echoes that of the hero in "Lorelei") appeared in three tales, all published in Planet Stories; the aforementioned "Queen", "Enchantress of Venus", and finally "Black Amazon of Mars". With this last story, Brackett's period of writing high adventure ended.
Brackett's stories thereafter adopted a more elegiac tone. They no longer celebrated the conflicts of frontier worlds, but lamented the passing away of civilizations. The stories now concentrated more upon mood than on plot. The reflective, retrospective nature of these stories is indicated in the titles: "The Last Days of Shandakor"; "Shannach — the Last"; "Last Call from Sector 9G".
This last story was published in the very last issue (Summer 1955) of Planet Stories, always Brackett's most reliable market for science fiction. With the disappearance of Planet Stories and, later in 1955, of Startling Stories and Thrilling Wonder Stories, the market for Brackett's brand of story dried up, and the first phase of her career as a science fiction author ended. A few other stories trickled out over the next decade, and old stories were revised and published as novels. A new production of this period was one of Brackett's most critically acclaimed science fiction novels, The Long Tomorrow (1955). This novel describes an agrarian, deeply technophobic society that develops after a nuclear war.
But most of Brackett's writing after 1955 was for the more lucrative film and television markets. In 1963 and 1964, she briefly returned to her old Martian milieu with a pair of stories; "The Road to Sinharat" can be regarded as an affectionate farewell to the world of "Queen of the Martian Catacombs", while the other – with the intentionally ridiculous title of "Purple Priestess of the Mad Moon" – borders on parody.
After another hiatus of nearly a decade, Brackett returned to science fiction in the seventies with the publication of The Ginger Star (1974), The Hounds of Skaith (1974), and The Reavers of Skaith (1976), collected as The Book of Skaith in 1976. This trilogy brought Eric John Stark back for adventures upon the extrasolar planet of Skaith (rather than his old haunts of Mars and Venus).
Most of Brackett's science fiction can be characterized as space opera or planetary romance. Almost all of her planetary romances take place within a common invented universe, the Leigh Brackett Solar System, which contains richly detailed fictional versions of the consensus Mars and Venus of science fiction in the 1930s–1950s. Mars thus appears as a marginally habitable desert world, populated by ancient, decadent, and mostly humanoid races; Venus as a primitive, wet jungle planet, occupied by vigorous, primitive tribes and reptilian monsters. Brackett's Skaith combines elements of Brackett's other worlds with fantasy elements.
The fact that the settings of Brackett's stories range from a rocket-crowded interplanetary space to the superstitious backwaters of primitive or decadent planets allows her a great deal of scope for variation in style and subject matter. In a single story, Brackett can veer from space opera to hard-boiled detective fiction to Western to the borders of Celtic-inspired fantasy. Brackett cannot, therefore, be easily classified as a Sword and planet science fantasy writer; though swords and spears may show up in the most primitive regions of her planets, guns, blasters and electric-shock generators are more common weapons.
Though the influence of Edgar Rice Burroughs is apparent in Brackett's Mars stories, the differences between their versions of Mars are great. Brackett's Mars is set firmly in a world of interplanetary commerce and competition, and one of the most prominent themes of Brackett's stories is the clash of planetary civilizations; the stories both illustrate and criticize the effects of colonialism on civilizations which are either older or younger than those of the colonizers, and thus they have relevance to this day. Burroughs' heroes set out to remake entire worlds according to their own codes; Brackett's heroes (often anti-heroes) are at the mercy of trends and movements far bigger than they are.[1]
[edit]
Screenwriter
Shortly after Brackett broke into science fiction writing, she also wrote her first screenplays. Hollywood director Howard Hawks was so impressed by her novel No Good from a Corpse that he had his secretary call in "this guy Brackett" to help William Faulkner write the script for The Big Sleep (1946).[2] The film, starring Humphrey Bogart and written by Brackett, William Faulkner, and Jules Furthman, is considered one of the best movies ever made in the genre. However, after her marriage, Brackett took a long break from screenwriting.
When she returned to screenwriting in the mid-1950s, she wrote for both TV and movies. Howard Hawks hired her to write or co-write several John Wayne pictures, including Rio Bravo (1959), Hatari! (1962), El Dorado (1966) and Rio Lobo (1970). Because of her background with The Big Sleep, Robert Altman hired her to write his deconstruction of Raymond Chandler's stories, The Long Goodbye (1973).
[edit]
The Empire Strikes Back
Brackett worked on the screenplay for The Empire Strikes Back. The movie won the Hugo Award in 1981. This script was a departure for Brackett, since until then, all of her science fiction had been in the form of novels and short stories.
The exact role which Brackett played in writing the script for Empire is the subject of some dispute. What is agreed on by all is that George Lucas asked Brackett to write the screenplay based on his story outline. It is also known that Brackett wrote a finished first draft which was delivered to Lucas shortly before Brackett's death from cancer on March 18, 1978. The screenplay was revised for filming by Lucas and Lawrence Kasdan, and both Brackett and Kasdan (though not Lucas) were given credit for the final script.
Many reviewers believed that they could detect traces of Brackett's influence in both the dialogue and the treatment of the space opera genre in Empire.[3] However, Laurent Bouzereau, in his book Star Wars: The Annotated Screenplays, states that Lucas disliked the direction of Brackett's screenplay and discarded it. He then produced two screenplays before turning the results over to Kasdan, who did not work directly with Brackett's script at all. By this scenario, Lucas' assignment of credit to Brackett was a mere courtesy or mark of respect for the work she had done during her illness.[4] Support for this view comes from Stephen Haffner, owner of the press that printed Martian Quest: The Early Brackett, who has read Brackett's script, and claims that—outside Lucas' storyline—nothing of Brackett's personal contributions survives in the finished movie.
Brackett's screenplay has never been published. According to Haffner, it can be read at the library of the Eastern New Mexico University in Portales, New Mexico, but may not be copied or borrowed off-site.
[edit]
Bibliography
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Short science fiction
[edit]
1940–1941
Martian Quest (Astounding Science Fiction February 1940)
The Treasure of Ptakuth (Astounding April 1940)
The Stellar Legion (Planet Stories Winter 1940)
The Tapestry Gate (Strange Stories August 1940)
The Demons of Darkside (Startling Stories January 1941)
Water Pirate (Super Science Stories January 1941)
Interplanetary Reporter (Startling Stories May 1941)
The Dragon-Queen of Jupiter (Planet Stories Summer 1941) also published as The Dragon-Queen of Venus
Lord of the Earthquake (novelette; Science Fiction (magazine) June 1941)
No Man's Land in Space (novelette; Amazing Stories July 1941)
A World Is Born (Comet Stories July 1941)
Retreat to the Stars (Astonishing Stories November 1941)
[edit]
1942-1944
Child of the Green Light (Super Science Stories February 1942)
The Sorcerer of Rhiannon (novelette; Astounding February 1942)
Child of the Sun (novelette; Planet Stories Spring 1942)
Out of the Sea (novelette; Astonishing Stories June 1942)
Cube from Space (Super Science Stories August 1942)
Outpost on Io (Planet Stories Winter 1942)
The Halfling (novelette; Astonishing Stories February 1943)
The Citadel of Lost Ships (Planet Stories March 1943)
The Blue Behemoth (Planet Stories May 1943)
Thralls of the Endless Night (Planet Stories Fall 1943)
The Jewel of Bas (novelette; Planet Stories Spring 1944)
The Veil of Astellar (novelette; Thrilling Wonder Stories Spring 1944)
Terror Out of Space (Planet Stories Summer 1944)
Shadow Over Mars (Startling Stories Fall 1944) published in book form as The Nemesis from Terra
[edit]
1945-1950
The Vanishing Venusians (novelette; Planet Stories Spring 1945)
Lorelei of the Red Mist (novella; Planet Stories Summer 1946), with Ray Bradbury
The Moon That Vanished (novelette; Thrilling Wonder Stories October 1948)
The Beast-Jewel of Mars (novelette; Planet Stories Winter 1948)
Quest of the Starhope (Thrilling Wonder Stories April 1949)
Sea-Kings of Mars (Thrilling Wonder Stories June 1949) published in book form as The Sword of Rhiannon
Queen of the Martian Catacombs (Planet Stories Summer 1949) expanded and published in book form as The Secret of Sinharat
Enchantress of Venus (novella; Planet Stories Fall 1949) also published as City of the Lost Ones
The Lake of the Gone Forever (novelette; Thrilling Wonder Stories October 1949)
The Dancing Girl of Ganymede (novelette; Thrilling Wonder Stories February 1950)
The Truants (novelette; Startling Stories July 1950)
The Citadel of Lost Ages (novella; Thrilling Wonder Stories December 1950)
[edit]
1951-1955
Black Amazon of Mars (Planet Stories March 1951) expanded and published in book form as People of the Talisman
The Starmen of Llyrdis (Startling Stories March 1951)
The Woman from Altair (novelette; Startling Stories July 1951)
The Shadows ( Startling Stories February 1952)
The Last Days of Shandakor (novelette; Startling Stories April 1952)
Shannach - The Last (novelette; Planet Stories November 1952)
The Ark of Mars (Planet Stories September 1953) later published as part of the book Alpha Centauri or Die!
Mars Minus Bisha (Planet Stories January 1954)
Runaway (Startling Stories Spring 1954)
Teleportress of Alpha C (Planet Stories Winter 1954/1955) later published as part of the book Alpha Centauri or Die!
The Tweener (The Magazine of Fantasy and Science Fiction February 1955)
Last Call from Sector 9G (Planet Stories Summer 1955)
[edit]
After 1955
The Other People (novelette; Venture Science Fiction Magazine March 1957) - also published as The Queer Ones
All the Colors of the Rainbow (novelette; Venture Science Fiction Magazine November 1957)
The Road to Sinharat (novelette; Amazing Stories May 1963)
Purple Priestess of the Mad Moon (The Magazine of Fantasy and Science Fiction October 1964)
Come Sing the Moons of Moravenn (The Other Side of Tomorrow, 1973)
How Bright the Stars (Flame Tree Planet: An Anthology of Religious Science-Fantasy, 1973)
Mommies and Daddies (Crisis, 1974)
Stark and the Star Kings (2005), with Edmond Hamilton (in the collection of the same name)
[edit]
Science fiction novels
Shadow Over Mars (1951) - first published 1944; published in the U.S. as The Nemesis from Terra (1961)
The Starmen (1952) - also published as The Galactic Breed (1955, abridged), The Starmen of Llyrdis (1976)
The Sword of Rhiannon (1953) - first published as Sea-Kings of Mars (1949)
The Big Jump (1955)
The Long Tomorrow (1955)
Alpha Centauri or Die! (1963) - fixup of The Ark of Mars (1953) and Teleportress of Alpha C (1954)
The Secret of Sinharat and People of the Talisman (1964) - expansions of Queen of the Martian Catacombs (1949) and Black Amazon of Mars (1951), respectively, packaged back-to-back as an Ace Double novel; republished under one title as Eric John Stark, Outlaw of Mars (1982)
Skaith novels
The Ginger Star (1974) - first published as a two-part serial in Worlds of If, February and April 1974
The Hounds of Skaith (1974)
The Reavers of Skaith (1976)
[edit]
Science fiction collections
The Coming of the Terrans (1967)
Includes The Beast-Jewel of Mars, Mars Minus Bisha, The Last Days of Shandakor, Purple Priestess of the Mad Moon, and The Road to Sinharat.
The Halfling and Other Stories (1973)
Includes The Halfling, The Dancing Girl of Ganymede, The Citadel of Lost Ages, All the Colors of the Rainbow, The Shadows, Enchantress of Venus, and The Lake of the Gone Forever.
The Book of Skaith (1976) - omnibus edition of the three Skaith novels
The Best of Leigh Brackett (1977), ed. Edmond Hamilton
Includes The Jewel of Bas, The Vanishing Venusians, The Veil of Astellar, The Moon that Vanished, Enchantress of Venus, The Woman from Altair, The Last Days of Shandakor, Shannach — The Last, The Tweener, and The Queer Ones.
Martian Quest: The Early Brackett (2000) - Haffner Press
Includes all of Brackett's early short stories published up to March 1943.
Stark and the Star Kings (2005), with Edmond Hamilton
Includes Queen of the Martian Catacombs, Enchantress of Venus, Black Amazon of Mars, Stark and the Star Kings (collaboration with Hamilton)
Sea-Kings of Mars and Otherworldly Stories (2005) - Volume 46 in Gollancz's Fantasy Masterworks series
Includes The Sorcerer of Rhiannon, The Jewel of Bas, Terror out of Space, Lorelei of the Red Mist, The Moon that Vanished, Sea-Kings of Mars, Queen of the Martian Catacombs, Enchantress of Venus, Black Amazon of Mars, The Last Days of Shandakor, The Tweener, and The Road to Sinharat
Lorelei of the Red Mist (2007) - Haffner Press
Includes The Blue Behemoth, Thralls of the Endless Night, The Jewel of Bas, The Veil of Astellar, Terror Out of Space, The Vanishing Venusians, Lorelei of the Red Mist, The Moon That Vanished, The Beast-Jewel of Mars, Quest of the Starhope, The Lake of the Gone Forever, and The Dancing Girl of Ganymede
[edit]
Science fiction, as editor
The Best of Planet Stories No. 1 (anthology; 1975)
The Best of Edmond Hamilton (collection; 1977)
[edit]
Screenwriter
The Vampire's Ghost (with John K. Butler), 1945
Crime Doctor's Manhunt (with Eric Taylor), 1946
The Big Sleep (with William Faulkner and Jules Furthman), 1946
Rio Bravo (with Jules Furthman and B.H. McCampbell), 1959
Gold of the Seven Saints (with Leonard Freeman), 1961
Hatari! (with Harry Kurnitz), 1962
Man's Favorite Sport? (uncredited), 1964
El Dorado, 1967
Rio Lobo (with Burton Wohl), 1970
The Long Goodbye, 1973
Star Wars Episode V: The Empire Strikes Back (with Lawrence Kasdan), 1979
[edit]
Other genres
No Good from a Corpse (crime novel; 1944)
Stranger at Home (crime novel; 1946) - ghost-writer for the actor George Sanders
An Eye for an Eye (crime novel; 1957) - adapted for television as Markham (1959-60; CBS)
The Tiger Among Us (crime novel; 1957; UK 1960 as Fear No Evil), filmed as 13 West Street (1962; dir. Philip Leacock)
Follow the Free Wind (western novel; 1963) - received the Spur Award from Western Writers of America
Rio Bravo (western novel; 1959) - novelization based on the screenplay by Jules Furthman and Leigh Brackett
Silent Partner (crime novel; 1969)
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See also
Eric John Stark
Leigh Brackett Solar System
[edit]
References
^ Valdron, Den. "Colonial Barsoom: Leigh Brackett". ERBzine.
^ "Howard Hawks". Howard Hawks (subject) Richard Schickel (director/writer) Sydney Pollack (narrator). The Men Who Made The Movies. 1973.
^ Hart, Stephen. "Galactic Gasbag". Salon.com.
^ Perry, Robert Michael. "A Certain Point of View". Echo Station. "A review of Star Wars: The Annotated Screenplays written and compiled by Laurent Bouzereau"
[edit]
External links
Leigh Brackett at the Internet Speculative Fiction Database
Leigh Brackett at the Internet Movie Database
Moorcock, Michael (13 June 2002). "Queen of the Martian Mysteries: An Appreciation of Leigh Brackett". Fantastic Metropolis website. Retrieved 2009-06-12.
Liukkonen, Petri; Pesonen, Ari. "Leigh (Douglass) Brackett (1915-1978)". Pegasos. Retrieved 2009-06-12.
Webster, Bud. "Past Masters: Gats, Six-Guns and Blasters". Helix, a speculative fiction quarterly. Retrieved 2009-06-12.
Categories: 1915 births | 1978 deaths | Leigh Brackett | American science fiction writers | American fantasy writers | American mystery writers | Western (genre) writers | American novelists | American screenwriters | People from Los Angeles, California | Women screenwriters | Worldcon Guests of Honor
4.5 out of 5
http://en.wikipedia.org/wiki/Leigh_Brackett
Leigh Brackett Marion Zimmer Bradley Anne McCaffrey : a primary and secondary bibliography - Rosemarie Arbur
Leigh Brackett, Marion Zimmer Bradley, Anne McCaffrey : a primary and secondary bibliography / Rosemarie Arbur
Boston, Mass. : G.K. Hall, c1982
Boston, Mass. : G.K. Hall, c1982
Gats Six-Guns and Blasters - Bud Webster
http://www.helixsf.com/pastmasters/pastmasters0707.htm
An article about Leigh Brackett, with a complete bibliography at the time.
4.5 out of 5
An article about Leigh Brackett, with a complete bibliography at the time.
4.5 out of 5
The Amazing Interview Leigh Brackett and Edmond Hamilton - Darrell Schweitzer
An informative interview talking about their work and the genre. Closing on 5000 words. Well worth getting. Anyone publishing or working on them would certainly like this.
"AMAZING: What does the term "space opera" mean to you?
BRACKETT: Well, it's a term that rather annoys us both because it has developed into a term of approbrium, for any story that has an element of adventure and action. I happen to like action stories and adventure stories, and to me this sense of wonder and all that goes into a space opera is absolutely fascinating. I enjoy space opera and I like writing them.
HAMILTON: Bob Tucker invented that title when he was a fan and I was reproaching him last spring again for having done so, because when you come right down to it, what are the astronauts' adventures but space opera? Including especially Apollo 13. That rescue of the men stranded out in space by bringing them back in and towing them with the starter, the module towing the other ship—that's just pure space opera. The old pictures on the covers of AMAZING STORIES showing men walking in spacesuits on the moon—they could be taken right from the photographs. I agree with Leigh, of course. I'm an old space opera fan. I don't like to see it mocked.
AMAZING: What is the most important value of this type of writing? BRACKETT: Oh, the sense of adventure, the sense of opening up whole vistas of new worlds and possibilities of all sorts of lifeforms, encounters, excitements and all these things. I don't know whether it'll actually occur or not, but when I was young the stories of Mars by Edgar Rice Burroughs, which set me on my road to
ruin as a science fiction writer, were so much more fascinating than all the other things I read about Indians and pirates and so on, all of which were quite authentic and real. This was a step beyond and it set me out into such realms of wonder and fascination that I've never been able to leave them. If you want philosophy, that's another matter. I'm writing for entertainment and if I want philosophy I'll read philosophy, but I don't particularly care to have it mixed with my fiction.
HAMILTON: I think the value is what you might call a seminal value, that bit by bit the old magazine stories filtered down through the public mind and established the concept of space travel simply because the people would see so many covers on magazines and so forth, so that it was easier, I think, for the public to accept the space program. We contributed nothing directly to it. We didn't even prophesy it correctly, although we made some lucky hits, but well, when I was a youngster there was a proverb, "You could as soon do that as fly to the moon." It was a proverb to show something not possible, and I think all this somewhat lurid literature penetrated down to the public to make them accept the space program, which is a costly business, and I think that's where it's chief value lies."
5 out of 5
"AMAZING: What does the term "space opera" mean to you?
BRACKETT: Well, it's a term that rather annoys us both because it has developed into a term of approbrium, for any story that has an element of adventure and action. I happen to like action stories and adventure stories, and to me this sense of wonder and all that goes into a space opera is absolutely fascinating. I enjoy space opera and I like writing them.
HAMILTON: Bob Tucker invented that title when he was a fan and I was reproaching him last spring again for having done so, because when you come right down to it, what are the astronauts' adventures but space opera? Including especially Apollo 13. That rescue of the men stranded out in space by bringing them back in and towing them with the starter, the module towing the other ship—that's just pure space opera. The old pictures on the covers of AMAZING STORIES showing men walking in spacesuits on the moon—they could be taken right from the photographs. I agree with Leigh, of course. I'm an old space opera fan. I don't like to see it mocked.
AMAZING: What is the most important value of this type of writing? BRACKETT: Oh, the sense of adventure, the sense of opening up whole vistas of new worlds and possibilities of all sorts of lifeforms, encounters, excitements and all these things. I don't know whether it'll actually occur or not, but when I was young the stories of Mars by Edgar Rice Burroughs, which set me on my road to
ruin as a science fiction writer, were so much more fascinating than all the other things I read about Indians and pirates and so on, all of which were quite authentic and real. This was a step beyond and it set me out into such realms of wonder and fascination that I've never been able to leave them. If you want philosophy, that's another matter. I'm writing for entertainment and if I want philosophy I'll read philosophy, but I don't particularly care to have it mixed with my fiction.
HAMILTON: I think the value is what you might call a seminal value, that bit by bit the old magazine stories filtered down through the public mind and established the concept of space travel simply because the people would see so many covers on magazines and so forth, so that it was easier, I think, for the public to accept the space program. We contributed nothing directly to it. We didn't even prophesy it correctly, although we made some lucky hits, but well, when I was a youngster there was a proverb, "You could as soon do that as fly to the moon." It was a proverb to show something not possible, and I think all this somewhat lurid literature penetrated down to the public to make them accept the space program, which is a costly business, and I think that's where it's chief value lies."
5 out of 5
Leigh Douglass Brackett - Kevin Burton Smith
http://www.thrillingdetective.com/trivia/brackett.html
A multi-media bibliography, detailing her work of interesting to crime fiction people.
4 out of 5
A multi-media bibliography, detailing her work of interesting to crime fiction people.
4 out of 5
The Unclassifiable Leigh Brackett - James Sallis
http://www.grasslimb.com/sallis/GlobeColumns/globe.09.brackett.html
A shortish overview type article.
3.5 out of 5
A shortish overview type article.
3.5 out of 5
Leigh Brackett Much More Than the Queen of Space Opera! - Bertil Falk
http://www.bewilderingstories.com/issue250/brackett1.html
A lengthy article about her career and life.
4.5 out of 5
A lengthy article about her career and life.
4.5 out of 5
Colonial Barsoom - Leigh Brackett
http://www.erbzine.com/mag17/1783.html
An extensive article looking at Brackett's Mars, with comparison and extension to Burroughs'.
5 out of 5
An extensive article looking at Brackett's Mars, with comparison and extension to Burroughs'.
5 out of 5
The Astounding Leigh Brackett - Virginia Johnson
A multi-media overview. (With links to others - that you will also find at free sf list, but handily collated here).
4 out of 5
http://www.artspoint.org/articles/columns2.asp?column_id=1737&column_type=artspoin
4 out of 5
http://www.artspoint.org/articles/columns2.asp?column_id=1737&column_type=artspoin
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